The Ten Rules of Narrarching
A Professional Framework for AI-Enhanced Authorship (NecroArts Standard)
1. The Story Belongs to the Human
The Narrarch leads. The AI assists. You set the theme, the canon, the moral spine, and the final meaning.
Example: You decide the Loch Clots escalates city-to-city. The AI helps generate scenes, but you choose the truth of the world.
2. Canon Is Sacred
Once you lock a fact, it stays locked unless you deliberately publish a retcon with a reason.
Example: “Book 3 ends with Lansing fully consumed.” Future books must respect that reality.
3. No Raw Copying
Never paste AI output straight into your book like it’s finished. Edit that shit. Read it over. Make sure it is truly yours—your voice, your rhythm, your intent.
Example: AI drafts a paragraph: you revise the diction, tighten the imagery, swap clichés for your own metaphors, and rewrite the emotional beat so it sounds like A.L. Allen—not a machine.
4. Originality Over Imitation
A Narrarch doesn’t chase famous voices. Avoid direct “write like X” mimicry, especially living authors. Build a style palette (tone, pacing, imagery) that’s yours.
Example: Instead of “Write like King,” you specify: “rain-soaked noir dread, slow escalation, grounded Michigan detail.”
5. Structure Before Spectacle
Big moments land harder when the architecture is solid: arc, turning points, escalation rhythm, consequences.
Example: Lansing isn’t “random destruction.” It arrives in waves: breach → collapse → isolation → consumption.
6. Evolution Is Mandatory
Each installment must evolve something—threat, form, intelligence, scale, or theme. Repetition is the enemy.
Example: Flint = spread. Saginaw = vertical compression. Lansing = waves. Detroit = convergence.
7. Visual Thinking Is Narrative Thinking
A Narrarch designs scenes that can be seen and therefore felt—blocking, scale, texture, motion.
Example: “A ringed barricade around the Capitol dome” is stronger than “the clot attacked downtown.”
8. Consistency of Voice
AI drifts. You correct. Every chapter must sound like it belongs to the same author and the same world.
Example: If the story is grounded horror, you reject cartoonish monster energy and re-tone it until it fits.
9. Ethics and Intent Matter
Dark fiction is allowed. Harmful real-world intent is not. No instructions for wrongdoing, no exploitation, no plagiarism.
Example: Apocalyptic clot imagery in Michigan? Yes. Real-world targeting instructions? No.
10. Time Is Part of the Craft
Narrarching is not “fast content.” It’s patient shaping. Take your time—Narrarching and beautiful work will follow.
Example: You do multiple passes: concept pass → voice pass → continuity pass → line edit → final polish.




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